ANDREW DICE CLAY DAY LAUGHTER DIED RAR FULL

One note, the original LP contains more tracks than the CD re-release. Without Andy Griffith setting the stage for southern comics, there would be no Brother Dave Gardner, Jerry Clower, or “Blue Collar” comedians. One track in particular, “What it Was, Was Football,” stands out as a benchmark of storytelling. Andy Griffith took clean, rambling anecdotal stories and weaved them into a symphony of comedy. With all due respect to the current crop of southern comedy stars, there is a debt of gratitude to be paid to Andy Griffith. “He told stories like nobody else could.” – Scott Bruce This album inspired a generation of female performers, and raised the bar for sketch performers. It contained excerpts from her Broadway show where she combined new sketches for her greatest SNL characters with some moments of Gilda being Gilda. While not a stand-up album in the truest sense of the word, this was Gilda at her best. Then I brought all that with me to Stand-Up.” – Betsy Salkind Her comedy was entirely character driven, and was a big influence on my improv and sketch work. “The first comedy album I got was Gilda Radner Live from New York, and I used to do all her routines. This was one of the first times the main focus was on the performer, and not the material, a trend that still carries through to this day. Here he wears the influence of his comedic mentor Jonathan Winters on his sleeve, and the results are extraordinary. This was the first, and most comics I’ve spoken to say the best, of Robin’s albums. This is a fine example of comedy as a social force.Ĥ9 – Reality, What a Concept – Robin WilliamsĪt a time when the popular style of comedy was evolving into more traditional monologists, Robin Williams burst onto the scene with a frenetic style, and disjointed characters delivering lines quicker than the audience can catch them.

Although references to Agnew and Hoffa make this record seem dated, a brief look under the surface shows a comic mind that was delving ever deeper into the world around him and a man who could use punchlines like daggers, and pierce the hypocrisy of his targets with comedic judgments. The funky cover art, rich in imagery was the first clue that something deeply moving was inside.

ANDREW DICE CLAY DAY LAUGHTER DIED RAR FULL

He talked about them at times when it was dangerous to talk about these things.” – Leighann Lordĭick Gregory was in full political bloom when this album was released in 1970. “Dick Gregory talked about topics with substance long before Richard Pryor and Paul Mooney.

If you loved one of these recordings as a kid, you'll still love them today.ĥ0 – Dick Gregory Live at the Village Gate One final thing before we get to the main event, the best part of doing this article was listening to these old friends again. Finally, I went for original albums, and tried my best to stay away from 'The Best Of' collections. This allowed me to exclude the 473 CD's from the guys I worked with in the last 2 years. The other rule was the album had to be distributed by a record company. First, I limited an artist to a maximum of 3 entries in the top 50 otherwise we would have 11 Pryor Albums, 7 Lenny Bruce Albums, 9 Cosby albums, and no one else would be represented. There's good reason for this there are so many great comedy albums, and only 50 spots on the list! (I will post 51 - 100 on the forum pages) Chances are your favorite comedy album is too low on the list, or not even there. You probably think the order is wrong, and that so and so should be higher. To that I added information like record sales, chart positions, and Grammys won and I came up with an informal list of what is influential.

Instead I asked the comedy performers, from the Smothers Brothers, down to open mikers what influenced them. Notice I didn't go for 'Best Comedy Albums,' or 'Funniest Comedy Albums ' that would be subjective. These are the albums that influenced the people who make America laugh today. Moms Mabley and company were replaced by Newhart, and Lenny Bruce, then by Pryor and Carlin, and just about every comedian of note between the late 50's and the early 80's. If you're reading this you probably listened to them every chance you got.Įventually the albums gained respectability, as did the comics who recorded them. If you're of a certain age your parents probably had a stash of these records, held under lock and key, that you were never supposed to listen to. Long before comedy central, before HBO, or even before the first comic did a spot on the Steve Allen Show, there were the comedy albums.įor the most part they started out as 'party records' with Belle Barth, Moms Mabley, or Skillet & Leroy saying all those wonderfully naughty things that you weren't supposed to say in public.

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